8/14/2023 0 Comments Official secrets actors![]() ![]() Pregnant Rose Leslie showcases her blossoming baby bump in a floral dress as she joins her sister for a strollĮlton John's husband David Furnish reveals the singer will have FOUR surprise guests at his much-anticipated Glastonbury showĬheryl supports former nemesis Lily Allen at The Pillowman in surprise appearance after THAT feud where she was branded a 'chick with a d**k' 'I found myself mildly bored': Lily Allen is branded 'unengaging' by critics in reviews after gender-swapped debut in revival of The Pillowman This begins as a gritty drama with unlicensed fisherman Tyler (Shia LaBeouf) being chased out of the Carolina swamps just as Zak (Zack Gottsagen), a Down’s syndrome adult, escapes from the old people’s home in which he’s been placed.īut it becomes something more sentimental and watchable as the two mismatched men unexpectedly hit it off. ![]() So it must be the body count, which is enormous, or the knowledge that Bill Murray will pop up in the end credits to send us home with a (weak) smile on our faces. If you really loved the 2009 original, by all means add another star to the above rating, while the rest of us ponder why on earth Woody Harrelson, Emma Stone, Jesse Eisenberg and Abigail Breslin reunited for this little-awaited sequel? There are some nice visual gags along the familiar stop-motion way, and accompanying adults will enjoy spotting the classic sci-fi film references, but there’s still a frustrating sense of anticlimax. Shaun and the rest of his sheepy gang have a close encounter with a small blue, pizza-loving alien who turns out to be a very long way from home ![]() I mean, a congregation of fairy folk locked in a church as poison gas pours in? Isn’t that going a little too far? But all that changed five years ago with Maleficent – the film that introduced us to Angelina Jolie as the dark, cheekbone-enhanced fairy of the title – and it changes again with this sequel. Traditional fairy tales have always had a dark side, an aspect that Disney has mostly ignored. An important story has been powerfully retold, and retold exceptionally well. Hers is a story without the traditional Hollywood ending, which means the film is similarly lacking one too.īut it’s a sign of its impact and Hood’s structural success that in a film that some will no doubt dismiss as liberal, Leftie bleating, there is no sense of anticlimax at all. These days, Gun is an almost forgotten figure, and it’s only towards the end that we discover the murky reasons why. Ralph Fiennes is excellent, too, as the intense and prickly barrister who heroically fights Gun’s corner. One morning, a strangely worded email arrived in her inbox, essentially a request from the American intelligence agencies for their British counterparts to spy aggressively on five members of the United Nations Security Council.Īctors playing journalists is always difficult for other journalists to comment on but, for my money, Matt Smith, Matthew Goode and an exuberant Rhys Ifans all do a fine job. At this precise moment in time, seeing power held so vividly to account has a real resonance.Īt its heart is the extraordinary story of Katharine Gun, a young translator who, back in early 2003, was engaged in top-secret monitoring work at GCHQ in Cheltenham. Similarly, I don’t think Tony Blair, former Attorney General Lord Goldsmith or Ken Macdonald, the former Director of Public Prosecutions, will be in much of a rush to see it either.īut for the rest of us it’s a film that, despite focusing on the recent past, says so much about what’s going on today that it becomes almost unmissable. At its heart is the extraordinary story of Katharine Gun (Keira Knightley), a young translator who, back in early 2003, was engaged in top-secret monitoring work at GCHQ in Cheltenham ![]()
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